Current Mood

I started this a couple of gloomy days ago. Grey. Grey skies again. Raining – good for plants, bad for me. it’s so dark at 8 am. This will be another day of not getting my shed assembled. I can’t do it alone, but my help is really bad on the follow-through. Is it bad parenting? Or is the alcohol?

My family where I live consists of two people other than me – my son and my youngest granddaughter. I rarely see either of them. My son has to work, made plans with a friend he hasn’t seen in 5 years, doesn’t have gas money, promised someone he’d help them do their yard, or some other equally obnoxious excuse. The only time I hear from him is if he needs gas money or food.

My Granddaughter works, and when she’s not working, watches her younger sister, or hangs with friends. She’s still a kid at 16, soon to be 17. I cut her plenty of slack. I’m not her responsibility. If I call her and say I need her help, she’ll figure out a day and time. But I don’t impose on her.

So my shed is in its component parts waiting. If it wasn’t a two-person job, I’d have done it by now. Enough bitchin’ and moaning. You’re not here for that. You’re here to find out if I ever made it to the Quilt Museum. Yes I did. The Wisconsin Museum of Quilts & Fiber Arts, located in Cedarburg, Wisconsin, has been hosting the traveling exhibit 25 Million Stitches: One Stitch, One Refugee.

This exhibit is an artistic collaboration from many different nations and people about human displacement, immigration, and solidarity. It consists of over 25 million hand-sewn stitches, each representing a single displaced human being. The stitches are sewn on muslin banners of varying lengths, which were connected to form banners each 14’ long. Completing this physical representation of this huge statistic required participation from over 2,300 stitchers from 37 countries and all 50 U.S. states.

I spent several hours there at the Museum, actually looking for my panel which I could not find. Several other guests helped after I showed a photo from my phone, but I never did find it. I thought I had, but it was not clearly visible from the floor.

The center aisle of the exhibit.
Some of the panels from the left side of
the room.
An example of some of the intricate stitchery that made of the exhibit.
The center panel of this image vaguely suggests the panel I made. I’m not certain it is actually mine.

That last photo was taken from the floor, looking up at the panel. It seems to be washed out by the overhead light. The picture below is what my panel looked like before I packed it up to send out.

My entry to the 25 Million Stitches Project.

I did find my name on the list of contributors so I know they received it. The exhibit has been traveling for several years not so there’s bound to be fading and damage even though they pack the banners very carefully. It was worth the drive even though my GPS kept trying to get me back on the selected route after I had to detour because one of the bridges was out of service for replacement.